Symphony Atlas

1797–1828 · Classical to early Romantic

Franz Schubert

28 works

Portrait of Franz Schubert

Schubert was born in Vienna and died there at thirty-one, having written more than a thousand works, including over six hundred songs. Much of his music was first heard at gatherings of friends called Schubertiads, where the baritone Johann Michael Vogl became a champion of his songs. He joined the sonata forms of Haydn, Mozart and Beethoven to long, singing melody. Schumann praised the "heavenly length" of his Ninth Symphony.

His harmony turns on sudden, distant key changes. In the B-flat Sonata, D. 960, the second theme of the first movement enters in F-sharp minor, far from the home key. Major and minor alternate inside one piece, as in the F minor Fantasia for four hands. In his songs the piano paints the scene: a spinning wheel in Gretchen am Spinnrade (written at seventeen), galloping triplets in Erlkönig, a rippling brook in Die schöne Müllerin. Winterreise sets twenty-four poems by Wilhelm Müller.

Several instrumental works grow from his own songs. The slow movement of Death and the Maiden is a theme and five variations on a song, and every movement of the Wanderer Fantasy starts from a variant of a phrase of Der Wanderer. The catalog also includes the Impromptus and Moments musicaux, the last three sonatas of 1828, the Arpeggione Sonata (written for a bowed guitar), the Quartettsatz, and three symphonies: the small-scale Fifth, the two-movement Unfinished, and the "Great" C major.

What to listen for

  • In the songs, follow the piano: the turning wheel in Gretchen am Spinnrade, the galloping triplets in Erlkönig, the flowing brook in Die schöne Müllerin.
  • Sudden key shifts, where a theme reappears in a distant key or turns from major to minor and the mood changes at once.
  • Songs inside instrumental works: the Death and the Maiden variations and the Wanderer Fantasy both start from his own songs.
  • In the Ninth Symphony, trombones that carry melodies instead of only adding weight, and a finale with ostinato (repeated-pattern) accompaniments.
  • In the Fifth Symphony, a small orchestra with no clarinets, trumpets or timpani, close in manner to Mozart.

Sources: Franz Schubert (Wikipedia), Piano Sonata No. 21 (Schubert) (Wikipedia), Wanderer Fantasy (Wikipedia), String Quartet No. 14 (Schubert) (Wikipedia), Symphony No. 5 (Schubert) (Wikipedia), Gretchen am Spinnrade (Wikipedia), Erlkönig (Schubert) (Wikipedia), Winterreise (Wikipedia), Die schöne Müllerin (Wikipedia), Fantasia in F minor (Schubert) (Wikipedia)

Works

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28 works

In listening paths

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Path 13

The art song, from Schubert to Strauss

A poem, a voice and a piano, later an orchestra: from Schubert's first masterpieces to Strauss's last songs.

Schubert → Schumann → Wagner → Mahler → Debussy → Fauré → Strauss

10 works · 3 h 23 min

Path 01

Start here

Ten well-known works to learn the map on, each open in full to everyone.

Pachelbel → Bach → Vivaldi → Mozart → Beethoven → Schubert → Chopin → Dvořák → Debussy

10 works · 1 h 54 min

Path 02

Symphonies everyone should know

Twelve symphonies from Mozart's Fortieth to Shostakovich's Fifth, the core of the concert repertoire.

Mozart → Haydn → Beethoven → Schubert → Berlioz → Mendelssohn → Brahms → Mahler → Tchaikovsky → Dvořák → Shostakovich

12 works · 8 h 5 min

Path 05

Understanding sonata form

The form behind most first movements, heard twelve times, from a small sonata to a symphony.

Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Brahms → Prokofiev

12 works · 4 h 43 min

Path 07

Ten minutes or less

Short, complete works for a single sitting.

Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland

12 works · 1 h 26 min

Path 08

The string quartet, 1772 to 1960

Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.

Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich

11 works · 5 h 9 min

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