Path 13
The art song, from Schubert to Strauss
A poem, a voice and a piano, later an orchestra: from Schubert's first masterpieces to Strauss's last songs.
Schubert → Schumann → Wagner → Mahler → Debussy → Fauré → Strauss
1797–1828 · Classical to early Romantic
28 works

Schubert was born in Vienna and died there at thirty-one, having written more than a thousand works, including over six hundred songs. Much of his music was first heard at gatherings of friends called Schubertiads, where the baritone Johann Michael Vogl became a champion of his songs. He joined the sonata forms of Haydn, Mozart and Beethoven to long, singing melody. Schumann praised the "heavenly length" of his Ninth Symphony.
His harmony turns on sudden, distant key changes. In the B-flat Sonata, D. 960, the second theme of the first movement enters in F-sharp minor, far from the home key. Major and minor alternate inside one piece, as in the F minor Fantasia for four hands. In his songs the piano paints the scene: a spinning wheel in Gretchen am Spinnrade (written at seventeen), galloping triplets in Erlkönig, a rippling brook in Die schöne Müllerin. Winterreise sets twenty-four poems by Wilhelm Müller.
Several instrumental works grow from his own songs. The slow movement of Death and the Maiden is a theme and five variations on a song, and every movement of the Wanderer Fantasy starts from a variant of a phrase of Der Wanderer. The catalog also includes the Impromptus and Moments musicaux, the last three sonatas of 1828, the Arpeggione Sonata (written for a bowed guitar), the Quartettsatz, and three symphonies: the small-scale Fifth, the two-movement Unfinished, and the "Great" C major.
Sources: Franz Schubert (Wikipedia), Piano Sonata No. 21 (Schubert) (Wikipedia), Wanderer Fantasy (Wikipedia), String Quartet No. 14 (Schubert) (Wikipedia), Symphony No. 5 (Schubert) (Wikipedia), Gretchen am Spinnrade (Wikipedia), Erlkönig (Schubert) (Wikipedia), Winterreise (Wikipedia), Die schöne Müllerin (Wikipedia), Fantasia in F minor (Schubert) (Wikipedia)
SchubertGretchen am Spinnrade, D 118; Op. 2
SchubertErlkönig, D 328; Op. 1
SchubertSymphony No. 5 in B-flat major, D 485
SchubertPiano Sonata in A minor, D. 537
SchubertPiano Sonata in A major, D. 664
SchubertQuartettsatz in C minor, D. 703
SchubertSymphony No. 8 in B minor, D 759
SchubertWanderer Fantasy in C major, D 760; Op. 15
SchubertDie schöne Müllerin, D. 795
SchubertPiano Sonata in A minor, D. 784
SchubertArpeggione Sonata in A minor, D. 821
SchubertString Quartet No. 14 in D minor, D. 810Free
SchubertPiano Sonata in A minor, D. 845
SchubertPiano Sonata in D major, D. 850
SchubertPiano Sonata in G major, D. 894
SchubertSymphony No. 9 in C major, D. 944
SchubertFour Impromptus, D. 935
SchubertImpromptu No. 1 in C minor, D. 899/1; Op. 90 No. 1
SchubertImpromptu No. 2 in E-flat major, D. 899/2; Op. 90 No. 2
SchubertImpromptu No. 3 in G-flat major, D 899 / Op. 90 No. 3
SchubertImpromptu No. 4 in A-flat major, D. 899/4; Op. 90 No. 4
SchubertSix Moments musicaux, D. 780
SchubertWinterreise, D. 911
SchubertFantasia in F minor for piano four hands, D. 940
SchubertPiano Sonata in A major, D. 959
SchubertPiano Sonata in C minor, D. 958
SchubertPiano Sonata No. 21 in B-flat major, D. 960
SchubertThree Piano Pieces (Drei Klavierstücke), D. 946Path 13
A poem, a voice and a piano, later an orchestra: from Schubert's first masterpieces to Strauss's last songs.
Schubert → Schumann → Wagner → Mahler → Debussy → Fauré → Strauss
Path 01
Ten well-known works to learn the map on, each open in full to everyone.
Pachelbel → Bach → Vivaldi → Mozart → Beethoven → Schubert → Chopin → Dvořák → Debussy
Path 02
Twelve symphonies from Mozart's Fortieth to Shostakovich's Fifth, the core of the concert repertoire.
Mozart → Haydn → Beethoven → Schubert → Berlioz → Mendelssohn → Brahms → Mahler → Tchaikovsky → Dvořák → Shostakovich
Path 05
The form behind most first movements, heard twelve times, from a small sonata to a symphony.
Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Brahms → Prokofiev
Path 07
Short, complete works for a single sitting.
Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland
Path 08
Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.
Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich