Path 01
Start here
Ten well-known works to learn the map on, each open in full to everyone.
Pachelbel → Bach → Vivaldi → Mozart → Beethoven → Schubert → Chopin → Dvořák → Debussy
Classical music, mapped
Press play on a great recording and follow its form as it unfolds: where the exposition ends, when the theme comes home, what the coda is doing.
Ludwig van Beethoven · 1824
Symphony No. 9 in D minor, Op. 125 “Choral”

Exposition: Introduction
0:0014:53
On this day, 1940 · 86 years ago
Bartók arrived in New York, having left Hungary because of the war.
Hear Bartók →
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Beethoven · I. Allegro ma non troppo, un poco maestoso
Exposition: Introduction
The return of the exposition's material with the second subject now in the home key.
939 symphonies, sonatas, quartets and concertos, each with one recording.
The music plays from YouTube.
Each section lights up as it begins. Tap one to jump to it.
Words like coda or exposition explain themselves in a tap.
Robert Schumann · 1840Dichterliebe, Op. 48
Johann Sebastian Bach · 1712Passacaglia and Fugue in C minor, BWV 582
Johann Sebastian Bach · 1721Brandenburg Concerto No. 5 in D major, BWV 1050
Franz Joseph Haydn · 1795Symphony No. 104 in D major “London”
Wolfgang Amadeus Mozart · 1785Piano Concerto No. 20 in D minor, K. 466
Wolfgang Amadeus Mozart · 1791Requiem in D minor, K. 626
Ludwig van Beethoven · 1798Piano Sonata No. 8 in C minor, Op. 13 “Pathétique”
Ludwig van Beethoven · 1808Symphony No. 5 in C minor, Op. 67
Ludwig van Beethoven · 1824Symphony No. 9 in D minor, Op. 125 “Choral”
Franz Schubert · 1824String Quartet No. 14 in D minor, D. 810 “Death and the Maiden”
Hector Berlioz · 1830Symphonie fantastique, Op. 14
Antonín Dvořák · 1893Symphony No. 9 in E minor, Op. 95 “From the New World”
Gustav Mahler · 1888Symphony No. 1 in D major
Gustav Holst · 1909First Suite in E-flat for Military Band, Op. 28 No. 1 / H. 105
Béla Bartók · 1943Concerto for Orchestra, Sz. 116Your plan: free
Listening paths
Path 01
Ten well-known works to learn the map on, each open in full to everyone.
Pachelbel → Bach → Vivaldi → Mozart → Beethoven → Schubert → Chopin → Dvořák → Debussy
Path 02
Twelve symphonies from Mozart's Fortieth to Shostakovich's Fifth, the core of the concert repertoire.
Mozart → Haydn → Beethoven → Schubert → Berlioz → Mendelssohn → Brahms → Mahler → Tchaikovsky → Dvořák → Shostakovich
Path 03
Twelve slow, quiet pieces, from Chopin's lullaby to Pärt's Fratres.
Chopin → Liszt → Wagner → Debussy → Massenet → Fauré → Grainger → Delius → Vaughan Williams → Rachmaninoff → Pärt
Path 04
Ground bass, ritornello, fugue and dance: the Baroque in twelve works, from Purcell to Bach's Musical Offering.
Purcell → Pachelbel → Bach → Vivaldi → Handel → Scarlatti
Path 05
The form behind most first movements, heard twelve times, from a small sonata to a symphony.
Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Brahms → Prokofiev
Path 06
Haydn's two London visits, 1791–95: six of the symphonies he wrote there, three piano sonatas, and what he took home to Vienna.
Haydn
Path 07
Short, complete works for a single sitting.
Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland
Path 08
Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.
Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich
Path 09
One work for each kind in the catalog, from the symphony to choral music.
Beethoven → Vivaldi → Debussy → Holst → Dvořák → Mozart → Chopin → Scarlatti → Bach → Schubert → Strauss → Handel
Path 10
From the First of 1800 to the Choral of 1824, in the order Beethoven wrote them.
Beethoven
Path 11
Soloist and orchestra across two and a half centuries, from Bach's harpsichord to Rostropovich's cello.
Bach → Vivaldi → Mozart → Beethoven → Mendelssohn → Tchaikovsky → Dvořák → Rachmaninoff → Ravel → Shostakovich
Path 12
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
Path 13
A poem, a voice and a piano, later an orchestra: from Schubert's first masterpieces to Strauss's last songs.
Schubert → Schumann → Wagner → Mahler → Debussy → Fauré → Strauss
Path 14
Two ways of making much from little: a theme changed again and again, and a subject passed from voice to voice.
Bach → Mozart → Haydn → Beethoven → Mendelssohn → Brahms → Elgar
Path 15
Fauré, Satie, Debussy, Chausson, Dukas and Ravel, from 1887 to 1920.
Fauré → Satie → Debussy → Chausson → Dukas → Ravel
Path 16
From Glinka to Shostakovich: a century of Russian music, in the order it was written.
Glinka → Balakirev → Mussorgsky → Borodin → Rimsky-Korsakov → Tchaikovsky → Rachmaninoff → Scriabin → Prokofiev → Shostakovich
Path 17
Nocturne, étude, mazurka, scherzo, ballade, polonaise, waltz: Chopin's genres in twelve works, in the order he wrote them.
Chopin
Path 18
Mozart in twelve works, from a motet written at sixteen to the Requiem he left unfinished.
Mozart
Path 19
Brahms in twelve works, from the First Piano Concerto to the last of his piano pieces.
Brahms
Path 20
Twelve piano sonatas from Mozart and Haydn to Prokofiev's war sonata of 1942.
Mozart → Haydn → Beethoven → Schubert → Chopin → Liszt → Berg → Bartók → Prokofiev
Path 21
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
Path 22
Ten violin concertos, from Beethoven's of 1806 to Sibelius's of 1904.
Beethoven → Paganini → Mendelssohn → Wieniawski → Bruch → Lalo → Brahms → Tchaikovsky → Dvořák → Sibelius
Path 23
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
Path 24
Folk songs, dances and landscapes, from Liszt's Hungary to Márquez's Mexico.
Liszt → Smetana → Grieg → Albéniz → Dvořák → Sibelius → Elgar → Vaughan Williams → Janáček → Villa-Lobos → Rodrigo → Márquez
Path 25
Choirs from Handel's coronation anthem to Ligeti's cloud of voices: masses, requiems and psalms, 1727 to 1966.
Handel → Mozart → Brahms → Verdi → Fauré → Orff → Messiaen → Bernstein → Ligeti
Path 26
Twelve overtures from Mozart's Figaro to Bernstein's Candide, each a complete piece in a few minutes.
Mozart → Beethoven → Rossini → Weber → Mendelssohn → Wagner → Berlioz → Offenbach → Brahms → Tchaikovsky → Bernstein
Path 27
Twelve directions the century took, from Schoenberg's Verklärte Nacht of 1899 to Piazzolla's tango of 1982.
Schoenberg → Ives → Bartók → Holst → Gershwin → Barber → Prokofiev → Copland → Ligeti → Górecki → Piazzolla
Path 28
A prelude and fugue in every major and minor key: Book I complete, then eleven pairs from Book II.
Bach
Johann Sebastian Bach · 1741Fugue in D♯ minor (WTC 2 No. 8), BWV 877
Johann Sebastian Bach · 1741Fugue in G♯ minor (WTC 2 No. 18), BWV 887
Johann Sebastian Bach · 1740Fugue in E minor (WTC 2 No. 10), BWV 879
Johann Sebastian Bach · 1742Fugue in F minor (WTC 2 No. 12), BWV 881
Johann Sebastian Bach · 1740Fugue in G major (WTC 2 No. 15), BWV 884
Johann Sebastian Bach · 1740Fugue in C minor (WTC 2 No. 2), BWV 871
Johann Sebastian Bach · 1741Fugue in A minor (WTC 2 No. 20), BWV 889
Johann Sebastian Bach · 1727Prelude and Fugue No. 1 in C major (WTC II), BWV 870One plan
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