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Piano Sonata No. 12 in A-flat major, Op. 26

180121 min

This guide follows Beethoven’s Piano Sonata No. 12 in A-flat major, Op. 26 (1801) in four parts: Andante (theme and variations), Scherzo: Allegro molto (minuet and trio), Maestoso andante (ternary form) and Allegro (rondo).

Recording: Daniel Barenboim (piano)

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  1. I · Theme and variations
  2. II: · Minuet and trio
  3. III · Ternary form
  4. IV · Rondo
ITheme and variations0:22–9:09

A gentle in A-flat major and 3/8, made of sustained notes and dotted rhythms, is followed by five variations on the same harmony. 1 comes first, then 2. 3 is the only one in the minor, A-flat minor, and it has been heard as a pre-echo of the . 4 to the major, and 5 dissolves the into fast flowing figures before the .

  1. A
II: Minuet and trio9:15–11:56
III Ternary form11:57–18:25
IVRondo18:29–21:25

Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.

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In the catalog

Ludwig van BeethovenPiano sonatasClassical periodA-flat majorTheme and variationsMinuet and trioTernary formRondo

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