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Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2

“Moonlight”180116 min

This guide follows Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight” (1801) in three parts: Adagio sostenuto (sonata form), Allegretto (ternary form) and Presto agitato (sonata form).

Recording: Daniel Barenboim (piano)

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  1. I · Sonata form
  2. II · Ternary form
  3. III · Sonata form
I Sonata form0:42–7:07

A low octave in the bass and rocking triplets in the right hand begin the (). The slow melody then enters as the first , and the triplets continue almost without a break to the end. The dynamics stay between and piano. The turns the material over, with figuration that soon takes on a Bach-like feel. The opening in the , and the fades away. Playing without dampers is usually taken to mean a held , changed as the harmony moves.

  1. :
IITernary form7:09–9:29
III Sonata form9:31–16:50

Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.

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In the catalog

Ludwig van BeethovenPiano sonatasClassical periodC-sharp minorSonata formTernary form

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