This guide follows Reger’s String Quartet in G minor, Op. 54 No. 1 (1900) in four parts: Allegro agitato (sonata form), Vivace assai, Largo mesto and Prestissimo assai (fugue).
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Dense and restless, with all four players busy at once. The first opens the , and a anticipates the , which arrives in two parts, (i) and (ii); the second part draws on a main melody from the first . Then come the and the , with the returning before the .
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
BachTrio Sonata No. 1 in E-flat major, BWV 525
HaydnSymphony No. 1 in D major, Hob. I:1HaydnHorn Concerto in D major, Hob. VIId:3HaydnPiano Sonata in A-flat major, Hob. XVI:46HaydnPiano Sonata in C minor, Hob. XVI:20HaydnString Quartet in A major, Op. 20 No. 6HaydnString Quartet in C major, Op. 20 No. 2HaydnString Quartet in D major, Op. 20 No. 4HaydnString Quartet in E-flat major, Op. 20 No. 1HaydnString Quartet in F minor, Op. 20 No. 5Path 08
Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.
Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich
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