Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
This guide follows Bruckner’s Symphony No. 8 in C minor, WAB 108 (1890 version, ed. Haas) (1890) in four parts: Allegro moderato (sonata form), Scherzo: Allegro moderato - Trio (minuet and trio), Adagio: Feierlich langsam and Finale: Feierlich, nicht schnell (sonata form).
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The symphony begins in near darkness: a long-held note for strings and horn, then a sombre double-dotted low in the strings. The climbs in rising scales, and the third is a idea whose falling cascades turn the upside down. The builds to a huge where the first and second themes sound together. The is rare for a Bruckner outer : it dies away quietly, and he likened it to a 'death clock'.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
BrucknerSymphony No. 2 in C minor, WAB 102
BrucknerSymphony No. 3 in D minor, WAB 103
BrucknerSymphony No. 4 in E-flat major, WAB 104
BrucknerSymphony No. 6 in A major, WAB 106
BrucknerSymphony No. 7 in E major, WAB 107
BrucknerSymphony No. 9 in D minor, WAB 109
BrucknerOverture in G minor, WAB 98
BrucknerString Quintet in F major, WAB 112
BachTrio Sonata No. 1 in E-flat major, BWV 525
HaydnSymphony No. 1 in D major, Hob. I:1
HaydnHorn Concerto in D major, Hob. VIId:3
HaydnPiano Sonata in A-flat major, Hob. XVI:46
HaydnPiano Sonata in C minor, Hob. XVI:20
HaydnString Quartet in A major, Op. 20 No. 6
HaydnString Quartet in C major, Op. 20 No. 2
HaydnString Quartet in D major, Op. 20 No. 4
HaydnString Quartet in E-flat major, Op. 20 No. 1
HaydnString Quartet in F minor, Op. 20 No. 5Path 23
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
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