Path 21
Debussy and Ravel
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
This guide follows Debussy’s Arabesque No. 1 in E major, CD 74/1; L. 66/1 (1891) in one part.
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The first section (A) begins with parallel triads and rippling triplets, then opens out into arpeggios and a falling pentatonic line. The quieter B section arrives in A major, where the harmony shifts between modal and tonal colours. The opening (A) , rises in and sweeps up and down a large pentatonic scale before settling on E major. The closes quietly in the home .
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
DebussyRêverie, L. 68
DebussyDeuxième Arabesque in G major, L. 66 No. 2
DebussyPour le piano, L. 95
DebussyEstampes, L. 100
DebussyL’Isle joyeuse, L. 106
DebussyImages, Book I, L. 110
DebussySuite bergamasque, L. 75
DebussyImages, Book II, L. 111
DebussyChildren's Corner, L. 113
DebussyPrélude I/1: Danseuses de Delphes, L. 117 No. 1Path 21
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
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