Path 21
Debussy and Ravel
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
This guide follows Debussy’s Children's Corner, L. 113 (1908) in six parts: Doctor Gradus ad Parnassum, Jimbo's Lullaby, Serenade for the Doll, The Snow is Dancing, The Little Shepherd and Golliwogg's Cake-walk.
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A finger-independence study with modern harmony that gently mocks the exercises of Clementi's Gradus ad Parnassum. The opening idea (A) twice (A′ and A″), with fresh episodes B, C and D. In the middle the music slows and tries its material in other keys, and the piece ends with a bang. Debussy joked to his publisher that it should be played very early in the morning.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
DebussyRêverie, L. 68
DebussyArabesque No. 1 in E major, CD 74/1; L. 66/1
DebussyDeuxième Arabesque in G major, L. 66 No. 2
DebussyPour le piano, L. 95
DebussyEstampes, L. 100
DebussyL’Isle joyeuse, L. 106
DebussyImages, Book I, L. 110
DebussySuite bergamasque, L. 75
DebussyImages, Book II, L. 111
DebussyPrélude I/1: Danseuses de Delphes, L. 117 No. 1Path 21
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
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