Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
This guide follows Mahler’s Symphony No. 2 in C minor “Resurrection” (1894) in five parts: Allegro maestoso (sonata form), Andante moderato, Scherzo: In ruhig fließender Bewegung (minuet and trio), Urlicht and Im Tempo des Scherzo.
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, marked to be played with complete gravity and solemnity. This C minor began as the separate Totenfeier. The first opens the , a lyrical first appears in E major, and the is repeated in varied form, with the first back. The brings in ideas used later, including a based on the plainchant. The and then the follow.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
MahlerSymphony No. 1 in D majorFree
MahlerSymphony No. 3 in D minor
MahlerSymphony No. 4 in G major
MahlerSymphony No. 5 in C-sharp minor
MahlerSymphony No. 6 in A minor
MahlerSymphony No. 9 in D major
MahlerSymphony No. 10 in F-sharp major: Adagio
MahlerLieder eines fahrenden Gesellen
MahlerKindertotenlieder
BachTrio Sonata No. 1 in E-flat major, BWV 525
HaydnSymphony No. 1 in D major, Hob. I:1
HaydnHorn Concerto in D major, Hob. VIId:3
HaydnPiano Sonata in A-flat major, Hob. XVI:46
HaydnPiano Sonata in C minor, Hob. XVI:20
HaydnString Quartet in A major, Op. 20 No. 6
HaydnString Quartet in C major, Op. 20 No. 2
HaydnString Quartet in D major, Op. 20 No. 4
HaydnString Quartet in E-flat major, Op. 20 No. 1
HaydnString Quartet in F minor, Op. 20 No. 5Path 23
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
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