Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
Ein Heldenleben, Op. 40
This guide follows Strauss’s Ein Heldenleben, Op. 40 (1898) in one part.
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0:21–45:38
The hero's wide, leaping opens the work in the horns and low strings. His critics then enter as squeaking, mocking woodwinds, and the companion's section begins with a violin, which opens with a and grows into a love duet. Trumpet calls lead through a into the battle. The works of peace quote Strauss's earlier pieces. The retreat from the world comes last and ends in a gentle E-flat major.
- A
- A1
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
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StraussDon Juan, Op. 20StraussTod und Verklärung (Death and Transfiguration), Op. 24StraussTill Eulenspiegels lustige Streiche, Op. 28StraussMetamorphosen, TrV 290StraussSerenade for Winds in E-flat major, Op. 7StraussHorn Concerto No. 1 in E-flat major, Op. 11StraussBurleske in D minor, TrV 145StraussHorn Concerto No. 2 in E-flat major, TrV 283StraussFour Last Songs, TrV 296
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