Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
This guide follows Strauss’s Till Eulenspiegels lustige Streiche, Op. 28 (1895) in one part (sonata form).
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The "once upon a " opening and the first appearance of Till's two themes fill the and . Till rides through the market in the next scene, then preaches in disguise (the Sermon). He courts a girl in the Love Scene and puzzles the Theology Professors. A Happy Streetsong follows, then the . The Court Scene leads to the hanging, and the Epilog brings back the opening tune.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
StraussDon Juan, Op. 20
StraussTod und Verklärung (Death and Transfiguration), Op. 24
StraussEin Heldenleben, Op. 40
StraussMetamorphosen, TrV 290
StraussSerenade for Winds in E-flat major, Op. 7
StraussHorn Concerto No. 1 in E-flat major, Op. 11
StraussBurleske in D minor, TrV 145
StraussHorn Concerto No. 2 in E-flat major, TrV 283
StraussFour Last Songs, TrV 296
BachTrio Sonata No. 1 in E-flat major, BWV 525
HaydnSymphony No. 1 in D major, Hob. I:1
HaydnHorn Concerto in D major, Hob. VIId:3
HaydnPiano Sonata in A-flat major, Hob. XVI:46
HaydnPiano Sonata in C minor, Hob. XVI:20
HaydnString Quartet in A major, Op. 20 No. 6
HaydnString Quartet in C major, Op. 20 No. 2
HaydnString Quartet in D major, Op. 20 No. 4
HaydnString Quartet in E-flat major, Op. 20 No. 1
HaydnString Quartet in F minor, Op. 20 No. 5Path 23
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
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